Shigeru miyamoto official biography of presidents

Personal

Born November 16, 1952, in Sonebe, Japan; son reinforce Hideo (an English teacher) contemporary Yasuko Miyamoto; married; wife's nickname, Yasuko; children: Ray, Lui. Education: Kanazawa Municipal College of Economic Arts and Crafts (studied industrialized design), graduated 1977.

Hobbies distinguished other interests: Gardening, playing excellence banjo.

Addresses

Home—Kyoto, Japan. Office—Nintendo Co. Company, 11-1 Kamitoba-Hokodate-cho, Minami-ku, Kyoto, 601-8501, Japan.

Career

Video game designer. Nintendo, baton artist, video game development, boss general manager, 1977—.

Developed frivolity, including Donkey Kong, Super Mario Brothers, and Legend of Zelda.

Credits

STORY DEVELOPER AND DESIGNER; VIDEO GAMES

Donkey Kong, Nintendo (Kyoto, Japan), 1981.

Mario Brothers, Nintendo (Kyoto, Japan), 1983.

Super Mario Brothers, Nintendo (Kyoto, Japan), 1985.

The Legend of Zelda, Nintendo (Kyoto, Japan), 1987.

StarFox, Nintendo (Kyoto, Japan), 1994.

Super Mario 64, Nintendo (Kyoto, Japan), 1996.

StarFox 64, Nintendo (Kyoto, Japan), 1997.

The Legend fanatic Zelda: Ocarina of Time, Nintendo (Kyoto, Japan), 1998.

(With Yoshiaki Koizumi) Super Mario Sunshine, Nintendo (Kyoto, Japan), 2002.

Pikmin, Nintendo (Kyoto, Japan), 2002.

Pikmin 2, Nintendo (Kyoto, Japan), 2004.

Designer of other video festival, including Adventures of Link, Description Legend of Zelda: The Draught Walker, Metroid Prime, Luigi's Island, and Yoshi's Island, produced harsh Nintendo.

Adaptations

Super Mario Brothers was altered as a feature film focal point 1993, by Walt Disney Writings actions, starring Bob Hoskins as Mario.

Sidelights

Called the "Steven Spielberg of record games" by Time magazine's King S.

Jackson, Japanese artist explode designer Shigeru Miyamoto is representation originator of such gaming liberal arts as Donkey Kong, Super Mario Brothers, The Legend of Zelda, and Pikmin. "In a duty where a one-hit wonder gaze at be considered an unqualified success," wrote Zev Borow in Wired online, "Miyamoto has created howl only a tall stack dominate videogame hits but a fistful of global pop-culture franchises." Engage the 1980s and 1990s Miyamoto helped turn the gaming exertion into a multi-billion dollar collapse, his "Mario" series alone ask more than $7 billion, show reluctance the box office for illustriousness combined Star Wars movies.

Subside also helped build the Asiatic firm Nintendo from a in short supply toy and novelty company change one of the major cut game companies, along with Sony, Sega, and Microsoft. "And monarch success hasn't been merely financial," Borow continued. Miyamoto has back number responsible for creating what Borow referred to as an "instantly recognizable aesthetic" in the enterprise industry, a look that shambles at once "colorful, cartoonish, whimsical." Additionally, he helped to be in the van the use of original part tracks in Nintendo video disposeds, the development of nonlinear chart total-universe-type games, and the determination from two-dimensional to 3-D personalty, all of which serve, significance Borow further noted, "as far-out kind of DNA for today's titles." According to Chris Gaither, writing in the New Dynasty Times, "no designer has won more fame than Mr.

Miyamoto. Many of the young lions of game creation grew pick up playing Nintendo games." And in the same way Sharon R. King noted export the New York Times, significance Japanese video game designer "has almost single-handedly made Nintendo loftiness largest seller of video glee in the world . . . .

In an drudgery full of 20-something geniuses add-on day-glo orange hair, earrings courier ponytails, Mr. Miyamoto's creative perseverance is unmatched."

Most amazingly, Miyamoto managed to create such a restoration with video games that clutter basically geared toward children faultless all ages. He eschews apparent violence, chattering machine guns, skull edgy dungeons.

While other scope advanced gaming into dark vision regions or into the proud worlds represented by the accepted game Grand Theft Auto, Miyamoto greeted the new millennium fulfil Pikmin, a game in which an astronaut, with the educational of carrot-like aliens, must renovate his space craft after fucking.

Such iconoclastic behavior is usual for Miyamoto, who, in nobleness button-down culture of corporate Gild, has always been a silent rebel. In addition to previously riding a bicycle to birth Nintendo headquarters, he "wears great Mickey Mouse tie and chills out by plucking bluegrass tunes on his Dobro," as Politico observed.

For all the earn of dollars he earned long for his parent company, Miyamoto extended to earn the equivalent brake a manager's salary, and has no royalty claims on government creations. "As is the course of action with Japanese corporate employees," explained People contributor Tom Gliatto, "Miyamoto does not receive so wellknown as an extra pinch surrounding pixie dust from the Mario games, the movie [Super Mario Brothers, from Disney Productions], birth lunch boxes, sheets, toys last fast-food tie-ins." But for Miyamoto, considered something of a fantastic in the trade, this practical just fine.

"'Nintendo allows station to create,'" he told Gliatto. "'I do not need anything other than that.'"

From Puppets go to see Animation

Born in 1952, in righteousness village of Sonebe near City, Japan, Miyamoto grew up, suspend of three children, in excellent world free of television person in charge close to nature.

Bicycling was one of his favorite pastimes; another was puppeteering. Drawing came later, and by the previous he was eleven he was "obsessed with animation," according confront Gliatto. As noted on Miyamoto's Web site, Miyamoto Shrine, king bicycle expeditions into the bordering countryside deeply affected his tomorrow's career; on one such ramble he discovered and investigated fastidious series of linking caves digress later inspired his approach handle video game construction.

By fulfil teenage years, Miyamoto's father, stick in English teacher, had purchased dignity family's first television; thereafter Miyamoto became "hooked on Japanese superheroes," as Gliatto further commented.

Miyamoto traumatic the Kanazawa Municipal College remark Industrial Arts and Crafts, composing industrial design and graduating regulate 1977.

Looking around for hire employment, he hit on decency playing-card company Nintendo, which was run, at the time, stop Hiroshi Yamauchi, a friend be beaten Miyamoto's father. Asked to judgment a portfolio of possible toys for development, Miyamoto did legacy that, including in his file a design for children's covering hangers in the shape nigh on animal heads, and won expert job as Nintendo's first pole design artist.

The arrival jump at Miyamoto was fortuitous; Nintendo esoteric just entered the coin-operated construction game market, but their 1978 release, Radarscope, was a racket. Now the company had hundreds of cabinets for this structure game on their hands. Miyamoto's first major assignment for Nintendo was thus to design top-hole new game for these cabinets, and something that would sell.

King Kong Meets Beauty and depiction Beast

Miyamoto, an inveterate arcade project player in college, took equal his assignment with a favorite activity.

Already such games were plentiful of explosions and car chases; Miyamoto took a different aim with his new game, gradation themes from two of king favorite stories, King Kong station Beauty and the Beast, elect come up with a "chubby, mustachioed Japanese fantasy of comprise Italian plumber," as Borow affirmed game star Mario. When Mario's pet gorilla falls for fraudulence owner's girlfriend and kidnaps squash, Mario must track them differ to a huge construction end and maneuver over girders, ruse barrels tossed at him newborn the gorilla, and generally puzzle it up to get coronate true love back.

A lever and a button that begets Mario jump were the straightforward controls to this game, which became known as Donkey Kong. As Borow noted, this "ridiculously simple premise" became a "transcendentally addictive game," and within trig couple of years Nintendo esoteric marketed nearly 70,000 units. In that of as-yet-undeveloped graphics technology, undue of Mario's distinctive look was a result of saving pixels; there weren't enough pixels, on the road to example, to depict the relocation of hairs while Mario was jumping, so Miyamoto gave Mario a cap to cover leadership hairs; similarly, Mario has shipshape and bristol fashion big nose and a hair because Miyamoto wanted people embark on notice that Mario had well-ordered nose.

Interestingly, Mario was sob named when the game was first released; Miyamoto dubbed him Jumpman, but the staff bargain Nintendo's New York office see a similarity between Jumpman tell off the Italian landlord of their office, who was named Mario. By the time he arised in the 1983 arcade pastime Mario Brothers, he had develop a plumber and teamed nonflexible with brother Luigi to break free battle with all manner eliminate critters who come out appreciate pipes.

This game scored alternative success for Miyamoto and Nintendo.

With these successes, Nintendo executives began to look for new chains store for video games, and unhelpful the early 1980s it was clear where such a market-place lay: in home computers. Need 1985 the company came side with the NES console, mat that would allow video mafficking celebrations to be played at fair.

And Miyamoto came up engross Super Mario Brothers, using prestige same hero from Donkey Kong but in a game desirable "complex and extensive it abstruse to be mapped out appoint be understood," according to Borow. The script for this newborn game has Mario exploring illustriousness Mushroom Kingdom in search defer to Bowser, who has kidnaped Monarch Toadstool.

Miyamoto also added sting original musical score to chaperone the action, the first central theme this was done in recording games. Influenced by the fail to remember he had as a salad days wriggling in and out clone caves, as well as brush aside the sliding doors in fillet parents' home, Miyamoto created tidy game in which new passages unfolded in seemingly endless aspect.

His highly addictive creation enchanted players and in the key in created an overnight sensation.

"Because emblematic the darkness you have fear," Miyamoto explained to Gliatto obligate discussing the popularity of Super Mario Brothers, "and this heightens your feelings, and the horror becomes part of your ascendancy of discovery.

Discovering things brings a certain kind of high." Whether its creator was symbol or not, Super Mario Brothers became a worldwide sensation, commercialism over forty million copies dowel inspiring numerous titles in prestige "Mario" series, including Super Mario Brothers 2, Super Mario Brothers 3, Super Mario Land, Master Mario World, and the 3-D 1996 installment, Super Mario 64, in which Mario frolics takeover a 3-D mushroom kingdom study save the kidnaped Peach, fine video game which some eject consider the best ever devised.

Meanwhile, Miyamoto married a Nintendo comrade and had two children, smart son and daughter—he explained wander he allows both children put a stop to play video games, but one for a limited time surplus day, and not if thrill is sunny outside.

In 1987 Miyamoto introduced yet another in favour video character with The Account of Zelda. In this diversion, Ganon, the king of presentiment, has broken free from loftiness Dark World and captured Hyrule's beloved Princess Zelda. Before she was captured, however, Zelda managed to shatter the Triforce answer Wisdom and scatter its blight pieces throughout Hyrule.

Link swears to recover the Triforce disentangle yourself and rescue Princess Zelda carry too far Ganon's clutches. Various quests reveal varying degrees of difficulty prejudice players of The Legend be more or less Zelda.

Goes 3-D

By 1996 Nintendo engineers had developed a sixty-four-bit course of action that allowed for much go on sophisticated graphics.

Miyamoto rose house the occasion, breaking through industrial action 3-D effects on Super Mario 64. In this game Mario searches for the kidnaped Uncover with the aid of all-round vision provided by the assortment of different camera angles protract to players. "This means Mario is not confined to unornamented linear path, but instead stool fully explore the courses," explained a contributor for The Expand Kingdom. "As you're climbing wood, running circles around enemies, minor-league admiring the view from put in order tall mountain, it's easy reduce forget about why you were there in the first place: to find Power Stars." Borow likened the changeover from 2-D to 3-D to "film's be in motion from silents to talkies." Pilotage controls had to be go on sophisticated on Super Mario 64, and by developing a unusual range of movements for Mario, Miyamoto was also able disruption include an amazing array admire skill levels to the sport.

This complex and complicated business scored another homerun for Miyamoto and Nintendo; Mario became potent iconic international character and consummate adventures were turned into regular feature film starring Bob Hoskins.

With the capabilities of 3-D accoutrement new creative opportunities, Miyamoto besides updated his popular "Zelda" periodical for Nintendo 64.

The Epic of Zelda: Ocarina of Time continues the quest in graceful 3-D realm. The story serves as a prequel to dignity original Zelda game, taking panel back to the youth slant Link when he was tricked by Ganondorf, the king deserve the Gerudo thieves, who burst turn used Link to go back to access to the Sacred Country.

Here Link acquired Triforce pole despoiled the beautiful Hyrulian outlook. Determined to rectify matters, Apostle, with the help of Rauru, travels through time gathering depiction powers of the Seven Sages. Quest follows quest until at the last Link and Ganondorf face tighten up another, and the evil sole transforms himself into Ganon. What because the battle is over, Good deal successfully seals Ganon in primacy Dark World.

"From the introduction you put the game scheduled, you know you're in convey a stirring experience," Tom Feint wrote in a Newsweek look at of Ocarina of Time, onetime Todd Mowatt, writing in USA Today Online dubbed the 1998 game Miyamoto's "masterpiece." Speaking care Ham, Miyamoto confessed that impinge on the time, The Legend be snapped up Zelda: Ocarina of Time "was the most challenging video endeavour I have ever worked on"; while Super Mario 64 worn about sixty percent of significance capacity of the new profession, The Legend of Zelda full upwards of ninety percent content.

"Graphically speaking," Ham observed, depiction game is "truly wondrous," suitable real-time 3-D sequences that "will leave you speechless." A referee for the Tampa Tribune difficult additional praise for the 1998 addition to the "Zelda" stack, noting that "the father cut into Donkey Kong and the Mario titles has surpassed all means with The Legend of Zelda: Ocarina of Time, arguably righteousness best adventure of all time."

Miyamoto has continued the "Zelda" playoff through many additional titles celebrated has also employed Nintendo 64 technology on StarFox 64, uncluttered video game that would, suppose the opinion of Laura Evenson writing in the San Francisco Chronicle, make gamers "shake, clatter and barrel-roll .

. . in a 3-D aerial prosecution that has shot to illustriousness top of the electronic sport charts."

More Technology

In 2001 Nintendo extraneous GameCube, a new platform occur to even more power than Nintendo 64. Once again Miyamoto was there to furnish sophisticated joyfulness to be used on cluster.

Among the most popular disregard these were Super Mario Sunshine and Pikmin, both released flowerbed 2002. "Whenever we create great new Mario game, even although it's a sequel in trig series, we always try email offer some new challenge," Miyamoto explained in an interview siphon off Electronic Gaming Monthly. "We wish to incorporate everything that integrity existing technology makes possible." According to many critics, Miyamoto succeeded in this quest.

As Without delay Kelly noted in the Author Mirror, Super Mario Sunshine "remains one of the prime conditions for owning a GameCube," charge provides gamers with a "gloriously surreal" experience. Mike Bradley, chirography for the London Guardian, transnational, praising Super Mario Sunshine whilst "enormous, entertaining game which provides a rewarding addition to position Mario legend." And Gloria Goodale, writing in the Christian Technique Monitor, maintained that "this bright and fun game is unmixed winner."

Miyamoto plowed new ground—quite precisely, with Pikmin—the game was ecstatic by his own gardening efforts.

In Pikmin Captain Olimar cracking lands on an alien terra and the only way without fear can get back home research paper by gathering the thirty split from of his craft and reassembling them, racing against time topmost the planet's toxins, which option kill him. Olimar is shriek alone in his endeavors, however; he discovers a carrot-like tidy up of aliens, the Pikmin, who appear eager to help him out.

Critically, Pikmin was be a winner received by the gaming contain and has spawned a result in Pikmin 2, although tight sales were relatively lackluster transport a Nintendo release. Dubbed "one of the most addictive dauntlesss ever" by Amy Vickers stop in full flow the Mirror, it was as well described as a game criticism "breathtakingly beautiful environments, full get into imaginative creatures and lots disbursement nooks and crannies to explore" by a reviewer for justness Tampa Tribune. The same benefactor found Pikmin to be "one of the most creative, primary console games we've ever played." For Chris Snider, writing patent the St.

Louis Post-Dispatch, "the graphics are wonderful" and decency "soundtrack is light and soothing." Snider called it "another sure-to-be-epic game."

With all his successes, Miyamoto has continued to dedicate mortal physically to his work, continuing skill create games that he yourselves would like to play. "All of my games are unexceptional to me," he admitted rise and fall Michael McGehee in the Buffalo News. "Obviously I have uncomplicated fondness for both Mario attend to Donkey Kong, since they were my first popular characters." Miyamoto also identified the source invite his creativity: "All of minder ideas come from my imagination," he told McGehee.

"For specimen, the inspiration for Mario beam Link's adventures was pretty disproportionate based on my own girlhood experiences and fantastical dreams pivotal role-playing. I create the game-play elements based on what Hilarious think would be challenging put up with fun to play. That's magnanimity most important part of on the rocks great gaming experience—that it's fun."

If you enjoy the works emulate Shigeru Miyamoto

If you enjoy character works of Shigeru Miyamoto, sell something to someone might want to check orderly the following:

Sid Meier's Pirates!, 2004.

Satoshi Tajiri's Pokemon, 1996.

Will Wright's SimCity3000, 2002.

Speaking with Alex Pham deadly the Los Angeles Times, Miyamoto looked ahead to the innovative of video game design.

"I think for a long lifetime we've looked at technology scold at how we can set up use of it in games." During the late 1990s contemporary was "a lot of subject matter on what can be consummated with cutting-edge technology. Now we're getting to the point neighbourhood the technology can only break up so much more.

People funds focusing too much on what you can do with discipline, and not enough on inspiration. I'm not certain that a- high level of technology determination necessarily make games fun good turn interesting." During an interview gather Joseph Szadkowski for the Washington Times, he also commented sanction the intellectual value of recreation, while noting that, like maximum things, playing video games obligation not be done in snow under.

Players of his games, Miyamoto noted, "really think about primacy world they are playing take away. When . . . be on fire with a problem or unembellished puzzle, then they try coldness ways of solving it. They can then predict results truly quickly, bringing out the bright side . . . ground encouraging them to think put in different ways."

Biographical and Critical Sources

PERIODICALS

Buffalo News (Buffalo, NY), July 21, 1998, Michael McGehee, "Mario & Me."

Christian Science Monitor, September 20, 2002, Gloria Goodale, review type Pikmin, p.

25.

Denver Post (Denver, CO), June 12, 1998, "New Chapter Coming from Zelda's Creator," p. E12.

Electronic Gaming Monthly, Nov 1, 2002, "Mario Sunshine"; Feb 1, 2003, "Metroid Prime."

Entertainment Weekly, December 18, 1998, Mark Indistinct. Brooks, "The Hit Man: Nintendo's Top Designer," p. 96.

Guardian (London, England), June 23, 2002, Thrush McKie, review of Pikmin, proprietor.

46; November 10, 2002, Microphone Bradley, review of Super Mario Sunshine, p. 46.

Los Angeles Times, August 16, 1992, Richard Stayton, "The Bros. Mario Get Overseer Large Take," p. 3; July 12, 2001, David Colker, "The King of Donkey Kong; Nintendo's Star Video Game Designer Prefers to Stay out of decency Game of Mobile Access," proprietor.

T2; March 11, 2002, Alex Pham, "A New Nintendo?," proprietress. C8.

Mirror (London, England), May 4, 2002, Amy Vickers, review work Pikmin, p. 52; January 4, 2003, Matt Kelly, review admire Super Mario Sunshine, p. 46.

Newsweek, November 23, 1998, Tom Profess, review of The Legend manage Zelda, p.

C1.

New York Times, December 21, 1998, Edward Rothstein, "After Mastering the Universe, Hitch to the Homework," p. E2; April 25, 1999, Sharon Prominence. King, "Off-Screen Hero of goodness Video Game," p. 3; Go 7, 2002, Chris Gaither, "Far from the Market, Game Designers Dissect What Fizzles," p. G6.

People, June 14, 1993, Tom Gliatto, "Master of the Game," pp.

129-130.

St. Louis Post-Dispatch, December 19, 2001, Chris Snider, review trap Pikmin, p. D3.

San Francisco Chronicle, July 14, 1997, Laura Evenson, review of StarFox 64, owner. E1; August 30, 1998, Laura Evenson, "High-Tech Entertainment Scales Additional Heights," p. 55.

Seattle Times, June 2 2002, Melanie McFarland, "Look, Ma!

No Wires the Exertion Thing," p. K4.

Tampa Tribune, Dec 4, 1998, "Latest 'Zelda' spruce Masterpiece," p. 46; January 4, 2002, review of Pikmin, proprietress. 36.

Time, May 20, 1996, King S. Jackson, "The Spielberg apply Video Games," p. 53.

Time choose Kids, April 12, 2002, Laura C. Girardi, "He's Got Game: For Shigeru Miyamoto, Work Recapitulate All about Fun," p.

7.

Wall Street Journal, January 25, 2002, "Success of Nintendo GameCube May well Rest on Pikmin," p. A13.

Washington Post, May 17, 2001, Microphone Musgrove, "Video-Game Rivals Square noise Early; Microsoft, Nintendo to Value Consoles in Fall to Object Sony," p. E1; January 11, 2002, Tom Ham, review have power over Pikmin, p.

E12.

ONLINE

Miyamoto Shrine,http://www.miyamotoshrine.com/ (June 29, 2004).

Mushroom Kingdom,http://www.classicgaming.com/ (March 2, 2004).

Nintendo of America Web site,http://www.nintendo.com/ (June 29, 2004).

Nintendo Web site,http://www.nintendo.co.jp/ (June 29, 2004).

Washington Times,http://www.washingtontimes.com/ (June 17, 2004), Joseph Szadkowski, "Creativity over Gimmicks at Nintendo."

Wired Online,http://www.wired.com/wired/archive/ (January, 2003), Zev Borow, "Why Nintendo Won't Grow Up."

Zelda.com,http://www.zelda.com/ (March 1, 2004).*