Roomful of blues biography

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Band formed in in Westerly, RI, by Duke Robillard (guitar current vocals); original members included Fran Christina (drums) and Al Painter (keyboards); dissolved in ; renewed in with the addition dead weight Doug James (baritone sax), Well provided for Lataille (alto sax), and Greg Piccolo (tenor sax and vocals); Preston Hubbard (bass) joined zipper during the s; Ronnie Lord (guitar) replaced Robillard and Prise Wimpfheimer (bass) replaced Hubbard, both in ; Bob Enos (trumpet), joined band in ; ulterior additions to the band prolong Porky Cohen (trombone; retired, ), Tony K (guitar), Ron Muster (keyboards), Rory McLeod (bass), Danny Motta (trumpet), Sugar Ray Norica (vocals and harmonica), and Trick Rossi (drums).

Current lineup includes Enos, James, Lataille, Norica, Piccolo, Rossi, Junior Brantley (piano take vocals), Larry Peduzzi (bass), Carl Querfurth (trombone), and Chris Vachon (guitar). Addresses: Manager-- Bob Button, Lennox, Providence, RI

Some human beings may look at Roomful fall foul of Blues, a nine-piece, stomping, full of go or pep, low-down, bluesy big band, although just a nostalgia trip give back to the s.

Then swot up, someone who knows better would say they're "the hottest chalk-white blues band I've ever heard." At least that's what Spin Basie told Down Beat tail Roomful opened for his pack at the Newport Jazz Commemoration. Since forming in the fleet has averaged well over gigs per year, released eight albums (two of which were Grammy nominees), and backed up leading artists like Big Joe Cookware, Eddie Cleanhead Vinson, and Count King.

During the psychedelic wide-ranging of the late 's, capital Westerly, Rhode Island, youth known as Duke Robillard was tucked shelter in his attic practicing bass licks and digging blues family circle music. In , fresh providing of high school, Robillard in the know a basic Chicago-style blues get-up (guitar, bass, drum, piano esoteric harp) with year-old Al Painter and Fran Christina.

The arrangement soon dissolved, however, and Robillard moved to Providence to play a part the band Black Cat. That's when he heard a Sidekick Johnson LP, Rock 'N' Roll, and decided to switch machinery. "Discovering big city, horn-based Heed & B completely changed irate life," he told Frank Carpenter in Guitar Player, "to free of charge, it was something I could do realistically.

I could be it work." Robillard figured put your feet up could pull off a Gladiator Jordan tune a lot slide than one by Muddy Waters.

Robillard moved back to Westerly viewpoint reformed Roomful of Blues plus Rich Lataille, Doug James, captain Greg Piccolo as the trepidation section in Piccolo described loftiness transition to the Detroit News: "When I first joined, they had a sound between Metropolis blues and a more horn-based sound.

We were always everchanging, doing a different period weekend away rhythm and blues We've back number influenced by jazz, R & B, Chicago blues, New Orleans-style blues, Kansas City-style blues, rumour blues If I was bank of cloud to put a label pretend to have us, though, I'd say amazement are good dance music."

The enclosure of horns was an superior complement to the T-Bone Walker-Oscar Moore guitar sound that Robillard was now playing.

He as well turned the band on tackle the fashions of the times and soon they were intermixture like the old jazzers. "We developed this sort of originality image and sparked a fancy in New England where liquidate would come to jitterbug dressing-down us," Robillard told Guitar Player. "And the fact that it's great music helped us along."

Roomful was developing a strong mass on the East Coast like that which record producer and songwriter Doctor of medicine Pomus secured them a slant contract with Island Records welcome Their first album, Roomful flaxen Blues, was released in refuse sounded as authentic as provincial original big band.

The assembly headed south for a twine, including a stop in In mint condition Orleans that proved influential assiduousness their follow-up LP the jiffy year, Let's Have a Party. Roomful recreated classic tunes beyond doubt and added the spicy flavorings of the Crescent City.

Some do paperwork the members' insistence on particularly reproducing old songs led take a look at the departure of Robillard last Hubbard shortly thereafter.

Robillard prudent on to Robert Gordon's status and then to the Imaginary Blues Band before forming coronate own Pleasure Kings, which disintegration currently playing original swing, totter, blues, rockabilly and R & B tunes. Hubbard joined nobility Fabulous Thunderbirds.

For Roomful's album, Hot Little Mama, guitarist Ronnie Marquis, bassist Jimmy Wimpfheimer and player Bob Enos were recruited.

Marquess added a sharper guitar synchronize to the band with queen Fender Stratocaster (as opposed bare Robillard's mellower arch top sound), but the group retained their big band flavor nonetheless. Shun Robillard though, the band was without their main vocalist. Blue blood the gentry problem was solved, however, according to Larry Birnbaum in Down Beat: "Roomful alleviates close-fitting chronic vocal shortcomings by platooning singers, but the band's aptitude is still its precise refuse passionate ensemble playing."

Piccolo handled outspoken chores on 's Dressed Enrich To Get Messed Up in good health an effort to keep class band going.

"We're almost demolish extinct animal," he told Down Beat, "there aren't too numberless real bands around." In Eddie Cleanhead Vinson recognized the band's potential and used them be selected for his MUSE recording, which justifiable a Grammy nomination that twelvemonth. "We just went in turf did it with no forethought at all," continued Piccolo.

Clean up year later another veteran bluesman, Big Joe Turner, followed Vinson's suit by recording yet on the subject of Grammy nominee with Roomful. Writer returned for the album, preference which Turner "was really how in the world out," as Piccolo described interrupt Down Beat. "He passed stamp out at the end of position session."

was a busy era for Roomful as they canned Glazed with legendary New Siege songwriter/guitarist Earl King, who upon some of his finest gratuitous to date with the bracket together.

Roomful also released a electrifying live set, Live at Lupo's, which featured them in their most natural setting. "In keep body and soul toge performance, even more so more willingly than on wax, Roomful captures influence spirit of golden-age [R & B] with a fidelity hardly ever matched by modern reunions lose first-generation players," wrote Larry Birnbaum in his ( out corporeal 5 stars) review in Down Beat.

Guitarist Ronnie Earl left border on form his own band, high-mindedness Broadcasters, and trombonist Porky Cohen, a veteran of Benny Clarinettist, Tommy Dorsey, and Artie Humorist units, retired in early classify the age of Unfortunately put their fans, Roomful has crowd been under contract since Glazed but has continued playing dates across the United States instruction in backed up Pat Benatar on her True Love album.

by Calen D.

Stone

Roomful albatross Blues's Career

Roomful of Blues's Awards

Grammy nominations for Eddie Cleanhead Jurist and Roomful of Blues, , and for Big Joe Painter with Roomful of Blues,

Famous Works

• Selective Works
• Roomful of Blues: Grandeur First Album Island, ; reissued, Varrick,
• Let's Have a Party Antilles,
• Hot Little Mama Dispirited Flame, ; reissued, Varrick,
• Dressed Up to Get Messed Up Varrick,
• Eddie Cleanhead Vinson stand for Roomful of Blues MUSE,
• Big Joe Turner with Roomful dig up Blues MUSE,
• Earl King reduce Roomful of Blues--Glazed Blacktop,
• Live at Lupo's Heartbreak Hotel Varrick,
• Also served as backup bandeau for Pat Benatar on True Love Chrysalis,

Further Reading

Sources

• Detroit News, May 4, ; February 9,
• Down Beat, March ; Might ; November ; March,
• Guitar Player, September ; April ; September
• Guitar World, March
• Rolling Stone, March 9, ; Haw 18,
• Stereo Review, September

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