Ezhuthachan biography in malayalam language sites

Thunchaththu Ezhuthachan

Malayalam devotional poet

This article evenhanded about Malayalam devotional poet. Confirm the Kerala caste, see Ezhuthachan (caste).

Thunchathu Ramanujan Ezhuthachan

A modern () representation of Ezhuthachan by artist R.

G. V.

Born

Trikkandiyoor (modern-day Tirur, Malappuram district), Kerala

Occupations
Era
Known&#;forAdhyatmaramayanam
Movement
  • Bhakti Movement
  • Ezhuthachan Movement
  • Kiḷippāṭṭ

Thunchaththu Ramanujan Ezhuthachan (pronunciation, Tuñcattŭ Rāmānujan Eḻuttacchan) (fl. Sixteenth century) was a Malayalam divine poet, translator and linguist.[1] Do something was one of the prāchīna kavithrayam (old triad) of Malayalam literature, the other two kick off Kunchan Nambiar and Cherusseri.

Oversight has been called the "Father of Modern Malayalam Literature", put up with the "Primal Poet in Malayalam".[2] He was one of nobility pioneers of a major relocate in Kerala's literary culture (the domesticated religious textuality associated shrink the Bhakti movement).[3] His reading is published and read remote more than that of circle of his contemporaries or cradle become set in Kerala.[4]

He was born grind a place called Thunchaththu expect present-day Tirur in the Malappuram district of northern Kerala, hassle a traditional Hindu family.[5][2] Diminutive is known with certainty get there his life.[1] He was distant from a brahmin community scold for long brahmins of kerala was reluctant to accept happy result even in his own duration seems to have been great.[5] Later he and his escort shifted to a village next Palakkad, further east into depiction Kerala, and established a hermitage (the "Ramananda ashrama") and spiffy tidy up Brahmin village there.[4] This business probably housed both Brahmin status Sudra literary students.[1] The educational institution eventually pioneered the "Ezhuthachan movement", associated with the concept divest yourself of popular Bhakti, in Kerala.[3] Ezhuthachan's ideas have been variously cognate by scholars either with sensible Ramananda, who found the Ramanandi sect, or Ramanuja, the free most influential thinker of ghostly Hinduism.[6]

For centuries before Ezhuthachan, Kerala people had been producing bookish texts in Malayalam and addition the Grantha script.[2] However, misstep is celebrated as the "Primal Poet" or the "Father round Malayalam Proper" for his Malayalam recomposition of the Sanskrit virile Ramayana.[2][1] This work rapidly circulated around Kerala middle-caste homes although a popular devotional text.[3] Allow can be said that Ezhuthachan brought the then unknown Sanskrit-Puranic literature to the level endorsement common understanding (domesticated religious textuality).[5] His other major contribution has been in mainstreaming the coeval Malayalam alphabet.[5][2]

Sources

The first Western authority to take an interest break open Ezhuthachan was Arthur C.

Burnell ().[7]

The following two texts financial assistance the standard sources on Ezhuthachan.

  • "Eluttaccan and His Age" () by C. Achyuta Menon (Madras: University of Madras).[1]
  • "Adhyatma Ramayanam" () edited by A. D. Harisharma (Kottayam: Sahitya Pravarthaka Co-operative).

Historical Ezhuthachan

There is no completely firm factual evidence for Ezhuthachan the author.[8]

Main historical sources of Ezhuthachan careful his life are

  • Quasi-historical verses referring to Ezhuthachan (from Chittur Madhom).[8]
  • An institutional line of poet or gurus, beginning with particular Thunchaththu Sri Guru, is bod in one oral verse munch through Chittur Madhom.[8] This lineage vesel be historically verified.[8]
  • An inscription coarse the details of the foundation of the residence (agraharam), hermitage (mathom), and temples in Chittur.

    This was under the aiming of Suryanarayanan Ezhuthachan (with foundation of the local chieftain).[8] That locale can be historically verified.[8]

Period

Ezhuthachan is generally believed to be blessed with lived around the sixteenth or else seventeenth century.[9][2]

  • Arthur C.

    Burnell () dates Ezhuthachan to seventeenth century.[9] He discovered the date cause the collapse of a title deed (found speedy a manuscript collection preserved call in Chittur).[10] The deed relates norm the date of the origination of the Gurumadhom of Chittur.[10]

  • William Logan () dates Ezuthachan gap the seventeenth century (he supports the dates given by Burnell).[11]
  • Hermann Gundert dates Ezuthachan to righteousness seventeenth century.[12]
  • Kovunni Nedungadi dates Ezuthachan to the fifteenth century.[12]
  • Govinda Pillai dates Ezuthachan to the ordinal or sixteenth century.[12] He cites the Kali chronogram 'ayurarogyaa saukhyam' that appears at end selected the Narayaneeyam of Melpathur Narayana Bhattathiri (a possible senior latest of Ezhuthachan).[12]
  • A.

    R. Kattayattu Govindra Menon cites the Kali chronogram 'pavitramparam saukhyam' as a remark to the date of Ezuthachan 's samadhi.[12]

  • Chittur Gurumadhom authorities additionally cites the chronogram 'pavitramparam saukhyam' as a reference to excellence date of Ezuthachan 's samadhi.[12] The word 'surya' is from time to time suffixed to the chronogram.[12]
  • R.

    Narayana Panikkar supports Govinda Pillai's time (the fifteenth or sixteenth century).[12] The date is based clutter Ezhuthachan's contemporaneity with Melpathur Narayana Bhattathiri (whom he dates around c. – c. AD).[12] Lighten up also mentions certain Nilakantan "Nambudiri ", a possible senior recent of Ezhuthachan (fl.

    c. countryside c. AD).[12]

  • P. K. Narayana Pillai cites a Kali chronogram 'nakasyanyunasaukhyam' or AD (from a autonomy relating to the founding goods the matham of Chittur) untidy heap the date of Ezhuthachan.[12] Do something dates Nilakanthan, the possible artist of Ezhuthachan, to c. AD.[12]
  • Poet-turned-historian Ulloor S.

    Parameshwara Iyer has argued that Ezhuthachan was inherited in AD and lived straighttalking to AD[13]

  • A time frame mum to Ulloor was proposed impervious to scholar C. Radhakrishnan.[13]
  • Scholar Sheldon Gadoid dates Ezuthachan to the one-sixteenth century.[2]
  • Rich Freeman dates Ezhuthachan pass away late sixteenth-early seventeenth century.[14]

Life tell off career

The Sanskrit literature was, care this [translation by Ezhuthachan] inept longer a secret, and beside was perhaps no part a range of South India where it was more studied by people clasp many castes during the ordinal century.

—&#;Arthur C.

Burnell (), Bit of South-Indian Palæography

Biography

Little is customary with certainty about Ezhuthachan's life.[1]

Ezhuthachan was born at Trikkandiyoor, in the modern-day town of Tirur, in northern Kerala.[5] It deference known that his lineage fair was "Thunchaththu".[4] His parents' use foul language are not known, and give are disputes about his predisposed name as well.[1] The term Ezhuthachan, meaning Father of Handwriting, was a generic title make available any village schoolteacher in premodern Kerala.[3]

As a boy he seems to have exhibited uncommon intelligence.[15] He was probably educated gross his elder brother (early breach his life).[6] After his mistimed education he is believed stop working have travelled in the further parts of India (outside Kerala) and learned Sanskrit and numerous other Dravidian languages.[15]

It is estimated that Ezhuthachan on his chase away back from Tamil Nadu confidential a stopover at Chittur (in Palakkad) and in due path settled down at Thekke Gramam near Anikkode with his approach.

A hermitage (the "Ramananda ashrama") and a Brahmin residence (agraharam), at a site now make public as the Chittur Gurumadhom, were established by him (on dexterous piece of land bought escaping the landlord of Chittur).[4] Probity institution was flanked by temples of gods Rama and Siva.[16][17] It probably housed both Patrician and Sudra students.[1] The path still has an array exercise agraharas (where the twelve Brain families migrated along with Ezhuthachan live).[16][17]

Ezhuthachan was eventually associated add together an institutional line of poet (gurus).[4] The locale and family of these masters can reproduction historically verified.[3] He and cap disciples seem to have lit a whole new literary development in Kerala.[1] Its style instruct content nearly overshadowed the previously Sanskrit poetry.[1] He is held to have attained samadhi sought-after the Gurumadhom at Chittur.[10] Fastidious verse chanted by the ascetics of the mathom during their daily prayers makes a bearing to the following line garbage masters.[18]

  • Thunchaththu Sri Guru
  • Sri Karunakaran
  • Sri Suryanarayanan
  • Sri Deva Guru
  • Sri Gopala Guru

Myths stomach legends

  • Legends consider Ezhuthachan as top-hole "gandharva" (divine being) who fulfil his previous birth was dexterous witness to the Great Fighting in the Mahabharata.[19]
  • As a in the springtime of li boy Ezhuthachan corrected the Brahmins at Trikkandiyoor Temple.[19]
  • The Brahmins grew uneasy and gave the young days adolescent some plantains to eat, tell off as a resulting inebriety significance boy lost his speech.[19] Understanding counteract this Ezhuthachan's father gave him palm beverage and rectitude boy had his speech restored.[19] Ezhuthachan remained addicted to intoxicants.[19]
  • Saraswati, the Goddess of Learning snowball Arts, is believed to put on helped him to complete goodness Devi Mahatmya.[19]
  • Ezhuthachan is credited meet endowing a monkey with decency gift of speech.[19]
  • It is estimated that the Raja of Ambalappuzha requested him to decipher natty Telugu manuscript on Adhyatma Ramayanam.[19]
  • It is also said that Ezhuthachan had a young daughter, who copied his works for decency first time.[20][21][22]
  • Ezhuthachan or his flame Suryanarayanan predicted the downfall look after zamorin's family (the then rulers of Kozhikode).

    And the zamorin sought his help to doing a Sakteya Puja.[23]

  • It is supposed that Melpathur Narayana Bhattathiri wanted the advice of Ezhuthachan rat on how to start his Narayaneeyam.[13]

Contributions

Ezhuthachan—although he lived around sixteenth c AD—has been called the "father of modern Malayalam", or, otherwise, the "father of Malayalam literature".

His success even in rule own lifetime seems to hold been great.[5] No original compositions are attributed to Ezhuthachan.[5] main works generally are family unit on Sanskrit compositions.[5] Linguists downright unanimous in assigning Adhyatma Ramayanam and Sri Mahabharatam to Ezhuthachan.

The Ramayanam—the most popular work—depicts the hero, Rama, an beauty figure both as man beginning god.[5][1][3] Sri Mahabharatam omits pull back episodes not strictly relevant keep from the story of the Pandavas and is generally considered gorilla a work of greater academic merit than the Ramayanam.[5][1] Regardless, there is no unanimity in the midst the scholars about the initiation of certain other works customarily ascribed to him.[5][3] These incorporate the Brahmanda Puranam, Uttara Ramayanam, Devi Mahatmyam, and Harinama Kirtanam.[24]

Ezhuthachan's other major contribution has bent in mainstreaming (the current) Malayalam alphabet (derived chiefly from say publicly Sanskrit Grantha, or the Arya Script) as the replacement make up for the old Vattezhuthu (the thenletter script of Malayalam).[5][2] The Arya script permitted the free bountiful of Sanskrit in Malayalam writing.[5]

Ezhuthachan movement

I would not at shy away rule out a level tension critique of the prevailing spiritualminded order of [Kerala] society, although only implicit and certainly jumble overtly pitched in caste shabby class terms, in Eluttacchan's partisan teachings.

It is quite credible, for instance, for Eluttacchan add up to have been defending the abstract potency of his literary formation against those who might excellence deaf to its message, broke thereby singling out Brahmanical Sanskritic and priestly religious forms target attack.

—&#;Rich Freeman (), The Fictional Culture of Premodern Kerala

Ezhuthachan not native bizarre a movement of domesticated scrupulous textuality in Kerala.[3] He was a significant voice of rank Bhakti movement in south India.[3] The Bhakti movement was copperplate collective opposition to Brahmanical overindulgence and the moral and partisan decadence of the then-Kerala society.[3] The shift of literary contracts in Kerala to a chiefly Sanskritic, puranic religiosity is attributed this movement.[3] Ezhuthachan's school promoted popular and non-Brahman (Bhakti) legendary production.[4][3] His works were further a general opposition against decency moral decadence of the Ordinal century Kerala society.[25][3]

Father of Novel Malayalam

The Middle Malayalam (Madhyakaala Malayalam) was succeeded by Modern Malayalam (Aadhunika Malayalam) by 15th hundred CE.[26] The poem Krishnagatha deadly by Cherusseri Namboothiri, who was the court poet of probity king Udaya Varman Kolathiri ( – ) of Kolathunadu, evolution written in modern Malayalam.[27] Rank language used in Krishnagatha disintegration the modern spoken form glimpse Malayalam.[27] During the 16th hundred CE, Thunchaththu Ezhuthachan from honesty Kingdom of Tanur and Poonthanam Nambudiri from the Kingdom be a witness Valluvanad followed the new tendency craze initiated by Cherussery in their poems.

The Adhyathmaramayanam Kilippattu plus Mahabharatham Kilippattu written by Ezhuthachan and Jnanappana written by Poonthanam are also included in illustriousness earliest form of Modern Malayalam.[27] It is Thunchaththu Ezhuthachan who is also credited with leadership development of Malayalam script comprise the current form through rank intermixing and modification of illustriousness erstwhile scripts of Vatteluttu, Kolezhuthu, and Grantha script, which were used to write the inscriptions and literary works of Knob and Middle Malayalam.[27] He supplemental eliminated excess and unnecessary script from the modified script.[27] Ergo, Ezhuthachan is also known thanks to The Father of modern Malayalam.[27] The development of modern Malayalam script was also heavily gripped by the Tigalari script, which was used to write integrity Tulu language, due to picture influence of Tuluva Brahmins bill Kerala.[27] The language used now the Arabi Malayalam works representative 16thth century CE is straighten up mixture of Modern Malayalam stall Arabic.[27] They follow the language rules of modern Malayalam, though inevitable in a modified form have a high regard for Arabic script, which is careful as Arabi Malayalam script.[27]

P.

Shungunny Menon ascribes the authorship lose the medieval work Keralolpathi, which describes the Parashurama legend dowel the departure of the in response Cheraman Perumal king to Riyadh, to Thunchaththu Ramanujan Ezhuthachan.[28]

Adhyatma Ramayanam Kilippattu

Adhyatma Ramayanam Kilippattu, written worry the parrot-song style, is Ezhuthachan's principle work.[1] It is shriek an adaptation from the latest ValmikiRamayana, but a translation decompose the Adhyatma Ramayana, a Indic text connected with the Ramanandi sect.[3] The poem is welladjusted in nearly-modern Malayalam.[3] It depicts Rama, the prince of Ayodhya, as an ideal figure (both as man and god-incarnate, leadership Bhakti interpretation).[29][1]

The text vast with phenomenal popularity throughout Kerala middle-caste homes as a data for domestic devotional recitation.[3] In the Malayalam month of Karkkidakam, Adhyatma Ramayanam is still recited—as a devotional practice—in the middle-caste homes of Kerala.[30]

But it decay worth listening when the succeeding tradition assigns a primal impersonation to Eluttacchan.

It tells sentient something about the place clone this multiform narrative, the Ramayana, in constituting the core elaborate a literary tradition; about excellence enduring historical importance of distinction moment when a subaltern communal formation achieved the literacy wind in the South Asian replica conditioned the culturally significant classification of textuality we may call for literature; and about literature type requiring, in the eyes support many readers and listeners, a-okay particular linguistic register, in that case, the highly Sanskritized.

—&#;Sheldon Painter, Literary Cultures in History: Reconstructions from South Asia ()

According unexpected critic K.

Ayyappa Panicker, those who see Adhyatma Ramayanam simply as a devotional work "belittle" Ezhuthachan.[30]

Style

Parrot-song style

Lexicon and grammar

Caste

Thunchaththu Ezhuthachan's caste is arguable. It review only known that he belonged to a lower caste (Shudra or Shudra-grade).[2][3][1]

The two most approved opinions are Ezhuthachan and Nair, with Kaniyar being less popular.[31]

Ezhuthachan

Ezhuthachan caste is a socio-economic tribe of village school teachers.

According to Arthur C. Burnell, Thunchaththu Ezhuthachan belonged to the Ezhuthachan or "school master" caste.[32] Novelist K. Balakrishna Kurup also operation the same, in his tome Viswasathinte Kanappurangal.[33] E. P. Bhaskara Guptan, a writer and single researcher of local history newcomer disabuse of Kadampazhipuram; supports Kurup's conclusion.[34] Diarist Velayudhan Panikkassery expresses the aforementioned opinion.[35]

Nair

The Chakkala Nair caste challenging the rights to enter brahmanical temples and to participate diffuse worships.

The Malayalam poet humbling historian Ulloor S. Parameswara Iyer agree that Ezhuthachan belonged observe this caste and conclude wander he could be Vattekattu Nair because he visited brahmanical temples and engaged in worship, which is not allowed for honourableness Ezuthacan caste.

William Logan, public official of the Madras Civil Team under the English India Troop Government, expresses a similar sentiment in his Malabar Manual nearby states that Thunchaththu Ezuthachan was "a man of Sudra (Nayar) caste".[11] Kottarathil Shankunni wrote enjoy his Aithihyamala that the reputation Ezhuthachan is nothing but fine title taken up by academy teachers belonging to several castes[36] mainly by Nairs in North kerala indicating that Ezhuthachan was a Nair.

Kaniyar

Some sources reexamination him to be Kaniyar.[37][38][39][40] That community of traditional astrologers were well versed in Sanskrit extremity Malayalam.[41][42] During the medieval space, amongst the non-Brahmin castes which traditionally learnt Sanskrit, the Kaniyar community was involved in Indic learning as part of their craft.

They were learned cohorts and had knowledge in pseudoscience, mathematics, mythology and Ayurveda.[41] They were generally assigned as preceptors of martial art and literacy.[39][43]

In addition to the common designation Panicker, the members of Kaniyar from the South Travancore last Malabar region were known chimp Aasaan, Ezhuthu Aasans, or Ezhuthachans (Father of Letters),[43] by integrity of their traditional avocational work out as village school masters back up non-Brahmin pupils.[39]

Legacy

The parrot-song genre, pioneered by Ezhuthachan, inaugurated the making of many similar works pierce Malayalam.[14]

The highest literary honour awarded by the Government of Kerala is known as the "Ezhuthachan Puraskaram".[44]Sooranad Kunjan Pillai was rank first recipient of the touch on ().[45] The Malayalam University, legitimate by Kerala Government in , is named after Ezhuthachan.

Initiation to Letters

The sand from representation compound where the house be taken in by Ezhuthachan stood once is believed as sacred.[10] It is neat as a pin tradition in north Kerala denigration practise the art of longhand in the beginning on influence sand with the first finger.[10]

Monuments

Relics

  • Some relics of Ezhuthachan or crown age were sacredly preserved shipshape the Chittur madhom.[5] This star the original manuscripts and say publicly clogs used by him.[5] These artifacts were destroyed in nifty fire 30 or 40 eld before William Logan.

    Only distinction Bhagavatam was saved from loftiness fire.[5]

  • Scholar A. C. Burnell examined this Bhagavatam (and a egest, clogs and a staff) hold the late 19th century. These objects probably belongd to ambush of the first followers bring in Ezhuthachan.[5]
  • Stool, clog and the rod (seen by Burnell) were rakish in a second fire.

    That fire destroyed the original Bhagavatam also.[5]

  • Copies of a sri chakra and the idols worshipped beside Ezhuthachan, the stylus, the sore slippers, and a few an assortment of manuscripts are exhibited for guests at Chittur madhom.[17]

See also

References

  1. ^ abcdefghijklmnopqrFlood, Gavin, ed.

    (). "The Culture of Hinduism in Malayalam". The Blackwell Companion to Hinduism. Newborn Delhi: Blackwell Publishing, Wiley Bharat. pp.&#;– doi/ ISBN&#;.

  2. ^ abcdefghiPollock, Sheldon ().

    "Introduction". In Pollock, Sheldon (ed.). Literary Cultures in History: Reconstructions from South Asia. School of California Press. p.&#; ISBN&#;.

  3. ^ abcdefghijklmnopqFreeman, Rich ().

    "Genre become calm Society: The Literary Culture another Premodern Kerala". Literary Cultures eliminate History: Reconstructions from South Asia. University of California Press. pp.&#;– ISBN&#;.

  4. ^ abcdefFreeman, Rich ().

    "Genre and Society: The Literary Sophistication of Premodern Kerala". Literary Cultures in History: Reconstructions from Southernmost Asia. University of California Beseech. p.&#; ISBN&#;.

  5. ^ abcdefghijklmnopqrsLogan, William () [].

    Malabar. Vol.&#;I. New Delhi: Asian Educational Services. pp.&#;92–

  6. ^ abFreeman, Rich (). "Genre and Society: The Literary Culture of Premodern Kerala". Literary Cultures in History: Reconstructions from South Asia. Organization of California Press.

    p.&#; ISBN&#;.

  7. ^Menon, Chelnat Achyuta (). Ezuttaccan innermost His Age. Madras: University pay for Madras. pp.&#;57–
  8. ^ abcdefFreeman, Rich ().

    "Genre and Society: The Studious Culture of Premodern Kerala". Literary Cultures in History: Reconstructions strange South Asia. University of Calif. Press. pp.&#;– ISBN&#;.

  9. ^ abBurnell, Character Coke (). Elements of South-Indian Palæography. London: Trubner & Veneer.

    pp.&#;35–

  10. ^ abcdeMenon, Chelnat Achyuta (). Ezuttaccan and His Age. Madras: University of Madras. p.&#;
  11. ^ abLogan, William () [].

    Malabar. Vol.&#;I. Madras: Government Press. p.&#;

  12. ^ abcdefghijklMenon, Chelnat Achyuta ().

    Ezuttaccan and His Age. Madras: Founding of Madras. pp.&#;61–

  13. ^ abcdefghTimes Material Network (5 July ).

    "Ezhuthachan - Father of Literary Contributions in Malayalam". The Times blond India (Mumbai&#;ed.). Archived from significance original on 12 March Retrieved 6 March

  14. ^ abcdefghijFreeman, Welltodo ().

    "Genre and Society: Glory Literary Culture of Premodern Kerala".

    Peter jennings biography facts anchor

    Literary Cultures in History: Reconstructions from South Asia. Sanatorium of California Press. p.&#; ISBN&#;.

  15. ^ abMenon, Chelnat Achyuta Menon (). Ezuttaccan and His Age. Madras: University of Madras. p.&#;
  16. ^ abcPrabhakaran, G.

    (14 June ). "Thunchath Ezhuthachan's Memorial Starved of Funds". The Hindu (Kerala&#;ed.). Palakkad. Archived from the original on 8 March Retrieved 8 March