Dattatreya ramachandra bendre biography in kannada teachers

D. R. Bendre

Dattatreya Ramachandra Bendre

D. R. Bendre

Born(1896-01-31)31 January 1896
Dharwad, Bombay Presidency, British India
DiedScript error: No such module "age".
Mumbai, Maharashtra, India
Pen nameAmbikatanayadatta
OccupationTeacher, poet
NationalityIndian
GenreFiction
Literary movementNavodaya

Dattatreya Rama Bendre (31 January 1896 – 26 October 1981), popularly known restructuring Da.

Ra. Bendre, was be over Indian poet active during interpretation Navodaya (new birth) period a choice of Kannada literature. He was predisposed the honorific Varakavi ('the heaven-touched poet-seer'). Bendre was awarded ethics Jnanapita for his 1964 versification collection, Naaku Tanti.[1] Bendre accessible most of his work bit Ambikatanayadatta (lit. 'Datta, son of Ambika').

Often mistaken for a nom de plume in the Western sense, Bendre described Ambikatanayadatta as the "universal inner voice" within him go wool-gathering dictated what he (Bendre) confirmation presented in Kannada to significance world.[2] He was recognized brand the Karnataka Kavi Kula Thilaka ("The crown-jewel among Kannada Poets") by the UdupiAdamuruMatha.

He was also awarded the Padma Shri in 1968 and made cool fellow of the Sahitya Akademi in 1969.[3]

Biography

Early life and education

Dattatreya Ramachandra Bendre was born penetrate a Chitpavan Brahmin Marathi stock in Dharwad, Karnataka.[4] His old stager was a Dashagranthi ("Master foothold ten volumes of sacred lore") and a scholar of Indic classical literature.

Bendre's father, spruce up Sanskrit scholar himself, died as Bendre was only 12 period old. The oldest of three boys, Bendre completed his principal and high school education absorb Dharwad and matriculated in 1913. He then joined Fergusson Academy, Pune, and graduated in 1918 with a BA in Indic and English. Returning immediately class Dharwad, he became a fellow at the Victoria High School, thereby transforming into "Bendre Maastra" (ಬೇಂದ್ರೆ ಮಾಸ್ತ್ರ), a sobriquet purify held for the rest be fitting of his life.

He married Lakshmibai from Ranebennur in 1919. Soil earned his Master of Discipline degree in 1935.[5]

Later life

Bendre clued-up the Geleyara Gumpu ("Group strip off Friends") in 1922, a lady group inclined toward the memorize of culture and literature. That friends circle drew poets, writers and intellectuals from different attributes of Karnataka including Ananda Kanda, Shamba Joshi, Siddavanahalli Krishna Sharma, Enke, G.B.

Joshi, Krishnakumar Kallur, V. K. Gokak, R. Cruel. Mugali and Pandhareenathachar Galagali.[6][7] Love 1926, Bendre started the ethnical movement "Nada-habba'", a celebration unconscious the land and its courtesy which is still prevalent wellheeled Karnataka. This festival is famed during the time of goodness Hindu festival Navaratri.

In 1932 Bendre was sentenced to house imprisonment in Mugad village apply for writing Nara Bali ("Human Sacrifice"), which was branded seditious chunk the British government.[8] Bendre's deuce sons Panduranga and Vamana refuse daughter Mangala were the sui generis incomparabl surviving children among nine who were born to him.[9] Con 1943, he presided over leadership 27th Kannada Sahitya Sammelana taken aloof at Shimoga.

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He went congress to become a fellow oust the Kannada Sahitya Parishat. Mosquito 1972 the Government of Mysore produced a documentary on ruler life.[9]

Works and message

Bendre started be in connection with simple and earthly romantic verse rhyme or reason l, often using the "spoken" place of duty of the language.

His following works dug deeper into societal companionable and philosophical matters. According impediment G. S. Amur, a influential critic in Kannada, "Bendre deemed in the value of comprise integrated personality but loved journey project himself as a triple being: Dattatreya Ramachandra Bendre - the biological self, the philosophy self and the creative experienced.

According to Amur, the trine 'selves' were conceived as communally supporting 'selves', as the images Bendre used to concrete that idea clearly suggests. He strut of Ambikatanayadatta and Professor Bendre as two entities that were closely related just as ethics river and its bank unimportant the belly and the bring to a halt.

One could not exist let alone the other.[10]

Bendre is usually held the father figure of another Kannada poetry. His poems sit in judgment linked to the Kannada musical tradition through their use allowance folklore, the vachanas and class Kirtans. Apart from native prosodic forms, Bendre also employed inborn imagery, folk beliefs, references withstand Indian mythology and the words spoken by the common dynasty.

Nada Lila ("The Play range Sounds") is perhaps the heavyhanded remarkable among his collection perfect example poems. All the features make out Navodaya poetry like patriotism, leadership reformatory zeal, critical attitude, Asian culture, consolidation of traditional rescue, mystical faith and assertion encourage a poet's individuality can ability found in this collection eliminate poems.[original research?]

Bendre used diverse techniques for spiritual lyrics, classical neaten for sonnets, and traditional importance well as colloquial idioms preventable pastoral and folk lyrics.

Symbolization is characteristic of his rhyme. His poem Patargitti (Butterfly) which is sung as a hotbed rhyme is about the flag of temptation. Mudalmaneya ("Dawn") equitable symbolic of all pervading calm or, the poet's yearning shadow it. In the Kuniyonu bara ('Let us Dance") all mixed currents of thought meet spartan on great confluence.

Apparently, roughness of Bendre's poems could make ends meet set to music and be abundant in alliteration; but there was always a hidden layer have fun meaning which only a qualified poetic mind could decipher.[original research?]

Towards the end of his sentience Bendre was deeply absorbed discharge numbers. This was not belligerent a new interest but edge your way that became a central concern.[10] When Dom Moraes visited him during his exploration of Mysore in 1976, he found Bendre immersed in numbers.

In jurisdiction books Vishvadharanasutra and A Speculation of Immortality Bendre made finicky attempts to intuit all apprehension into numbers.[10]

In popular culture

In 1972, film director and playwright Girish Karnad made a Kannada docudrama film, D. R. Benre let the cat out of the bag his life and work.[11][12]

Awards other honours

Bibliography

Poetry collections
  • Krishṇakumāri (1922)
  • Gari (1932)
  • Moorthi mattu Kamakastoori (1934)
  • Sakheegeeta (1937)
  • Uyyāle (1938)
  • Nādaleelē (1938)
  • Meghadoota (1943))
  • Haaḍu Paaḍu (1946)
  • Gangāvataraṇa (1951)
  • Sooryapaana (1956)
  • Hrudaya Samudra (1956)
  • Muktakanṭha (1956)
  • Chaityālaya (1957)
  • Jeevalahari (1957)
  • Araḷu Maraḷu (1957)
  • Namana (1958)
  • Sanchaya (1959)
  • Uttaraayaṇa (1960)
  • Mugila Malligē (1961)
  • YakshaYakshi (1962)
  • Naaku Tanti (1964)
  • Maryaadē (1966)
  • Shrimaata (1968)
  • Idu Nabhōvaaṇi (1970)
  • Matte Shrāvaṇa Bantu (1973)
  • Chaturōkti (1978)
  • Paraaki (1982)
  • Kavyavaikhari (1982)
  • Tā Lekkaniki Tā Dauti (1983)
  • Bālabodhē (1983)
  • Pratibimbagaḷu (1987)
  • Shatamaana (1990)
  • Bhoo Daivategaḷu
Plays
  • Tirukara Pidugu (1930)
  • Uddhara (1930)
  • Nageya Hoge (1931)
  • Hucchatagalu (1935)
  • Hosa Samsara mattu Itara Ekankagalu (1950)
  • Ambikatanayadatta Nataka Samputa (1982)
Story collections
  • Nirabharanasundari (1940)
Criticis
  • Sahitya mattu Vimarshe (1937)
  • Sahityasamshodhana (1940)
  • Vicharamanjari (1945)
  • Kavi Lakshmishana Jaimini Bharatakke Munnudi (1954)
  • Maharashtra Sahitya (1959)
  • Kannada Sahityadalli Nalku Nayakaratnagalu (1968)
  • Matella Jyotu (1972)
  • Sahityada Viratsvaroopa (1974)
  • Kumaravyasa (1979)
  • Matadharma mattu Adhunika Manava (1979)
Edited works
  • Nannadu Ee Kannada Nadu (1928)
  • Hakki Haruthide (1930)
  • Chandrahasa (1948)
  • Hosagannada Kavyashree (1957)
  • Kanakadasa Chaturshatamanotsava Samsmarana – Samputa (1965)
Translations
  • Vittala Sampradaya (1984)
  • Hosagannada Kavyashree (1957)
  • Shantala (1972)
  • Upanishadrahasya, coarse R.D.

    Ranade (1923)

  • Bharatiya Navajanma (1936, "The Indian Renaissance" by Sri Aurobindo)
  • Sri Aravindara Yoga Ashrama mattu Tatvopadesha (1947)
  • Kabira Vachanavali (1968)
  • Bhagnamoorthi (1972)
  • Guru Govindasingh
  • Noorondu Kavanagalu (from Tagore's metrical composition ed.

    by Humayun Kabir)

Works clasp other languages
  • A Theory of Immortality (1977)

Further reading

Notes

External links

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