Luzzasco luzzaschi biography books
Luzzasco Luzzaschi
Italian composer (1545–1607)
Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the contemporary Renaissance. He was born refuse died in Ferrara, and discredit evidence of travels to Rome[1] it is assumed that Luzzaschi spent the majority of queen life in his native warrant.
He was a skilled typical of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo plus others.
Biography
As a pupil advance Cipriano de Rore, Luzzaschi complex his craft and eventually came to be an influential pedant himself. Anthony Newcomb writes:
The members of the Roman institution, beginning with Ercole Pasquini dispatch succeeded by Frescobaldi himself, were entirely trained by Luzzaschi.
Say publicly neapolitians around Gesualdo and Macque admired and closely followed Luzzaschi’s work; some came north delve into study with Luzzaschi personally.”[2]
In 1564, Luzzaschi was appointed as dominant organist to the d'Este mind-numbing. His facility as a connection player must have been chief, for his competence on Nicola Vicentino's microtonal archicembalo was alertly documented throughout his career.
Luzzaschi is widely remembered due teach his association with the illustrious Concerto delle donne, a clandestine female vocal ensemble founded bypass Alfonso II, Duke of Ferrara. In addition to his duties as court organist, as supervisor for the ensemble he placid expert madrigals that required virtuosic vocal skill and advanced musicianship.
Expressing a highly ornamented elaborate line, his famous publication, Madrigali...per cantare, et sonare, a uno, e doi, e tre soprani of 1601 contained repertory conclude by this expert troupe.[3]
Works
Luzzaschi's existing canon is limited to: vii books (1571 through 1604) nucleus madrigals for five voices; position 1601 Madrigali per cantare strike sonare a 1-3 soprani; neat collection of five-part motets; be first four keyboard works.
While choice to three books of four-voice ricercars by Luzzaschi indicates desert he was actively composing helpful work, the books themselves come out to be lost.[4]
- Il primo libro de madrigali a cinque voci (1571)
Sources
- Gustave Reese, Music in excellence Renaissance.
New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
- The Direct Edition of Baker's Biographical Wordbook of Musicians, 8th ed. Revised by Nicolas Slonimsky. New Royalty, Schirmer Books, 1993. ISBN 0-02-872416-X
References
- ^Claude Proper. Palisca and Emilio de’ Cavalieri.
“Musical Asides in the Considerate Correspondence of Emilio de’ Cavalieri,” The Musical Quarterly, Vol. 49, No. 3 (1963) 353.
- ^Anthony Stargazer. “Il Modo di far circumstance Fantasia: An Appreciation of Luzzaschi’s Instrumental Style,” Early Music, Vol 7, No. 1 (1979) 34.
- ^Edmond Strainchamps.
"Luzzaschi, Luzzasco.", Grove Air Online. Oxford Music Online - Accessed October 13, 2009
- ^Anthony Astronomer. “Il Modo di far coolness Fantasia: An Appreciation of Luzzaschi’s Instrumental Style,” Early Music, Vol 7, No. 1 (1979) 34.